The Sampler module provides single-sample, multi-sample, velocity-layer and velocity-crossfade support, at up to bit resolution. The instrument also includes an AHDSR-controlled multi-mode filter, a fully-featured compressor designed specifically for percussion sounds, a flexible "Humanizer" and a 6 x 6 Modulation Matrix.
The RM IV also features an "intelligent" sample module that automatically switches off unused modules envelopes, effects, etc thus ensuring optimal usage of CPU resources. In addition, the RM IV has a time-saving "preview in context" feature that enables individual samples and even whole kits to be browsed as the instrument plays back a sequence.
The RM IV comes bundled with more than sample-based and synthesized drum kits ranging from Trash kits to high-quality multisampled acoustic drums. You must be logged in as a registered member to use this feature!
My Web. Recent headlines about LinPlug. Become a member now! Omnisphere V2. Follow MacMusic. News from the web. For your site. Add dynamic content to your own site for free. Your visitors could then immediately link to the news which is updated daily. Latest tv Videos. This MacMusic section is managed by d-cipher with the help of the translators team. Page 17 The Trigger button allows the Drum Pad to be played using the mouse.
Simply click the mouse on the Drum Pad to trigger the sound. These include percussion synthesis modules as well as sampling. Each percussion synthesis algorithm is tailored to a particular type of percussion sound, while the Sampler module can be used for playing back any type of sound you wish. Page Kick 1 The Noise Volume dial is used to set the amount of noise added to the drum sound. The Noise Colour dial setting determines the frequency spectrum of the noise and the Noise Decay Time dial sets the decay time of the noise component of the drum sound.
RM IV user manual : version 1. Page Kick 2 The decay time changes from short to long as the dial is turned in a clockwise direction. The Noise Volume dial is used to adjust the amount of noise added to the drum sound.
Page Snare 1 The Noise Decay Time dial sets the decay time of the noise component of the drum sound. The Noise Env elope Mod ulation dial is used to set the degree to which the noise oscillator's filter cutoff frequency is modulated by the oscillator's amplitude envelope RM IV user manual : version 1.
The Decay control is used to determine the rate at which the mixed sound decays. Page Tom The decay time changes from short to long as the dial is turned in a clockwise direction. The Noise Volume control is used to determine how much noise is mixed with the output of the pitched oscillator. A very similar algorithm is used for both the Open and Closed Hi hat sounds but the parameter ranges are different in each case.
Page Ride Cymb Al Note: this has intentionally only a subtle effect. The Modulation Pitch Env elope control can be used to add a decay stage to the oscillator's pitch envelope. The Mix control adjusts the mix of pitched sound and noise. Page Cymbal 2 The Env elope Shape dial is used to set the shape of the instrument's decay envelope. When the dial is turned anti-clockwise the release is linear. As the dial is turned clockwise, the release becomes exponential.
Page Claps The Envelope Shape control sets the shape of the single claps decay as well as the final release. When the dial is turned anti-clockwise it is linear. As the dial is turned clockwise, it becomes exponential. Page Plop The Body Range control is used to set the range frequency of the body sound that follows the attack part of the sound.
The Body Decay control determines the rate at which the body sound decays to silence. It consists of 30 "slots" into which samples can be loaded and edited. It consists of five small square vertically-aligned buttons which allow you to choose between five screens, each of which displays six sample "slots".
Page 31 Key continued : A key setting of "All" means that the sample responds to all Note-On commands and can be played over the entire keyboard range it is useful then, to set up different MIDI channels on RM IV's rear panel so the pitched instrument only responds to a particular MIDI channel and does not accidentally sound when drums are to be played.
Page 32 For example, if the magnification is 1, then one sample is displayed per pixel. If the display shows 16, then 16 samples are compressed into a single pixel RM IV user manual : version 1. Page 33 The topmost button displays the first sample in the Pad. The Sample Browser is described in the Sampler module section of this guide.
A large value means that a wider bandwidth is affected by the filter. The Search Results section displays a list rjv all Pads that meet the search criteria. Mnaual Vol setting can also be used to adjust the volume of individual samples within layered Instruments in order to make them sound smoother. The pitch envelope is calculated directly into the sample and is not shown as a separate envelope.
The Attack Velocity enables trigger velocity to control the intensity of the attack part of the sound. Os X Installation This registration process is described in the Registration section of this manual. Each pad can have its own controls and filters, saving everything will help for working with it mznual at another time.
CRX4 mixes up your samples in realtime like no other instrument. The Search Results section has three controls. Page 50 When the control is turned in an anti-clockwise direction the shape of the envelope segments becomes linear. This can be used for a range of effects including opening the filter when a note is released this is impossible with a non-inverted envelope. Cookies help us improve performance, manuall user experience and deliver our services.
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