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The bass party is exceptional across all songs. Drums always follow the line. Voice is soft and pleasant. And lead guitar and sometimes orchestra. This particular song is quite distinctive from the rest of the album. The Fallout label CD reissue includes three bonus tracks that feature flute and what sounds like a spinet.

These are more instrumental and folksy than the original album, all decent but none exceptional except the closing instrumental "My Life in Review" which provides an inspiring and emotive ending to the record.

Although the band did tour some in the New England area following this release, the group and their album found little success and disbanded after laying down tracks for a second album. That record wouldn't be released until , more than two decades after the members of the band had all moved on to other pursuits.

The five members also released another record in under the band the Freedom Express, along with an obscure funk single fronted by Buddy Miles. Sheldon would later tour with Linda Ronstadt and take on sporadic session work and songwriting after returning to Boston to study music theory.

Hodder would depart Steely Dan in for a career doing session work including sessions with Sammy Hagar's band before drowning in Bassist Lassie Sachs became a studio engineer. Get our special offers! Subscribe to newsletter! Follow Us. Is your Board Game experience Up to date? BEAD GAME is the first board game ecosystem built to meet the demands of a digital age where everything is fast and ready for immediate play.

Like so much music that was released in those days, there's a charming lack of continuity and direction with this collection of tracks. The influences are all over the place, from the slightly bluesy "Sweet Love" to a James Taylor-like title track John Sheldon was a childhood friend of Taylor's , to several Jesus-freak leaning songs including "What a Day", "This is True" and the oddly titled "Nude Bathin'".

There's a little bit of everything here, although not much that could be considered progressive and almost nothing that sounds like the band's other studio release 'Welcome'. Some have referred to this as a 'religious' album, but tracks like the tongue-in-cheek "She's on the Rollin' Pin" think about it and the West Coast breezy "20 Dollars Bill" suggest the band was simply trying out different sounds to see what would click. In the end nothing really stands out, but there aren't really any duds here either.

There is more emphasis on vocals, guitar and piano on this album, while 'Welcome' features more eclectic keyboarding and longer instrumental passages. Nothing to get too excited about, but a decent record nonetheless. This may be a bit generous but I'm going to say this is a three out of five star affair, worth picking up if you run across it but certainly not something that should be heavily sought after.

Sheldon in fact purchased his first electric guitar from Taylor. Sheldon had toured the East Coast as a member of Van Morrison's band while in high school, and scored a record deal while still a teenager.



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